300 script what is your professional interest

Kelly — I work with Eric Feig.

300 script what is your professional interest

I will most certainly have one present if there comes a day when the book gets optioned. Sign in.

11 more things to think about when negotiating your screenplay option

But I can see the cost ramping up as hopeful writers, like myself, try and list with as many venues as possible. No Tom Clancys allowed!

300 script what is your professional interest

We hired an older entertainment lawyer to help us with the contract. But there may be some rights you can hang on to. Hi, Ali — The short answer is yes… people do build and manage screenwriting careers from locations that are not Hollywood. You must be logged in to post a comment.

My New Opening Pitch Script – 80% Interest 1

And of course all of these can be shared among numerous individuals. You might negotiate your contract to stipulate the fee for writing a sequel as negotiable, with a minimum at least equal to the purchase price of the original.

7 Ways Writing a Screenplay is Different Than Writing a Novel

Hey Chip! Deals fall apart all the time.

300 script what is your professional interest

Wish I knew more… but great question, thanks! One of my proudest achievements was a pro-bono project that was recognized as a top non-profit campaign last year. Thanks for the reply! Thanks Rick.

10 things to think about when you option your screenplay

The producer has skin in the game cash invested with you , has presumably invested effort to develop the property, and wants to retain rights to it to justify those investments. I just wondered if in your experience you had any tips for a fairly green producer just starting out..? Elevator pitches can be helpful as you take them into your next networking event or interview.

300 script what is your professional interest

A producer found one on InkTip and wants to option it and direct it soon. You had me at the first part of the concept, and lost me with all the unnecessary subplots and plot twists. As great as you and the producer might think your script is, the production environment is fickle. As long as you can balance action description that only tells us what we need to know with the dialogue, it will keep that speeding script on full throttle.